Cricket on film
A moving record
David Frith
Death is not absolute so long as there remain photographs or sound recordings or moving images, preferably in colour. For cricket lovers, the camera must feel like man's greatest invention: thanks to celluloid and a crank handle, W. G. Grace, Victor Trumper, Jack Hobbs, Wally Hammond and Don Bradman live on - if only in two-dimensional form and in shades of black and white, though later with audio.
It is frustrating that today's technological wizardry took so long to arrive. The earliest surviving conventional motion film is the little sequence of Ranjitsinhji wielding a wild bat in the Sydney nets late in 1897, although we have Eadweard Muybridge's multi-camera sequences from the 1880s of naked batsmen and bowlers from Pennsylvania University; the processed frames are viewable on his zoopraxiscope. A film clip of Clem Hill batting at Sheffield in 1896 was once listed, but nobody now knows where it is. Nor was proper care taken of shots of A. E. Stoddart's team and Victoria walking on to the field around the time of the Ranji mini-film.
Elsewhere, clips of Bobby Peel, George Hirst and Bobby Abel show them motionless, either perplexed or embarrassed. So almost 40 years had passed since the first Wisden before people paid to see the cricketers magically in motion in Biograph peepshows. As newsreel companies sprang up and picture houses lured audiences, it became a way of life. Topical Budget, Pathe´ News, British Movietone, Warwick Bioscope, and Gaumont British all devised captivating stories and images, and by the 1920s there were over 20m attendances a week at UK cinemas.
Gems such as the film of Gilbert Jessop, Hirst and Wilfred Rhodes in England's one-wicket victory in the 1902 Ashes Test at The Oval have been lost, but recently two barrels filled with early film shot by Mitchell & Kenyon, the Blackburn-based company, were found; further discoveries should not be impossible......
Wisden - A moving record