Really tall, big fast bowlers were a definite rarity in the years prior to World War II and weren't all that common for many years afterwards, certainly compared to their predominance today. Many coaches in Australia these days would look at some of the very fine bowlers I have listed and tell them to go concentrate on their batting instead. However, in the thirties England produced a bowler who could stand up - literally - to any today.
At somewhere between 6'4" and 6'7" (depending on what text you read) Ken Farnes was (as far as I know) the tallest bowler going around England at the time and although perhaps not the quickest his height made him very difficult to handle.
The Essex amateur and schoolteacher was a quiet character off the field but could be very aggressive on it, never forgetting to pitch short if he felt like it (to the dismay of an Essex predecessor, Charles Kortright, then often considered the fastest bowler ever). In a Varsity match in 1933 - a genteel event, newsreels of which show more shots of ladies' hats than cricket - he decided it was time to bring out the leg field that had caused so much controversy in Australia. He could also be more conventionally difficult, darting the ball about off the seam combined with steep lift - Bradman once noted that Farnes was more difficult to play than Larwood.
It's when one comes to watching him, however, that he becomes a bit of an enigma. He was widely respected and at times feared, and left a trail of injuries to back this up, including knocking out Bill Edrich, a renowned player of real pace. Yet his style is far from what we associate with really quick bowlers today. He bowled off a short run of only ten paces, which began as a dash early on in his career but later became even more measured, with a slower launch. His action was quite ungainly and although it changed quite a lot over the years it never lost this quality, seeming to swing his arm out of time with his body. Early on in his career it is somewhat reminiscent of Carl Rackemann, with a very bent front arm and knee and little follow through. Later on he made made his gather more conventional, raising his right hand up above his shoulder and staying chest on for longer, and having a straight front arm and straighter front leg. I'm not the only person here to note that he looks rather unimpressive which makes me wonder if he was a bit more McGrath - getting a lot of bounce and moving off the seam rather than registering high on the speed gun. But we are left with the descriptions and the footage and must reconcile them.
He debuted against Australia in 1934 and took five wickets in each innings in a losing cause. In what would become a familiar refrain he was also injured part of the way through the series and missed the last three matches. On the tour of the West Indies in 1935 he was injured again and missed two matches as a weak England suffered their first series defeat there and the dry, flat pitches confounded their bowlers. A knee injury prevented him from playing at all in 1935 and this may have been what prompted the change in action. In Australia in 1936/37 he played only two matches and though bowling well could not prevent England's defeat as Allen and the injured Voce lost effectiveness. On the return series in 1938 was leading wicket taker with modest figures on rather flat pitches and had a similar return in very batting friendly conditions in South Africa in 1938/39. And that was it, as war broke out at what should have been his peak and he was destined not to survive it, crashing during a night flying exercise in Oxfordshire in 1942.
Also at 0:52
Go to 14:08 for more shots from the other end.
Slow motion shot, also full speed at 0:09
Several shots are interspersed throughout this one.
A rare for the era rear shot at 0:09. It seems that a good amount of footage, especially at Melbourne but also other venues such as the Oval, was taken from this angle but very little made it in.
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There's a couple in here from 0:32:
British Pathe, the world's leading multimedia resource with a history stretching back over a century. The finest and most comprehensive archive of fabulous footage and stunning stills.
www.britishpathe.com